Karolina Martinaityte

Karolina Martinaityte is a photographer, fashion stylist, and multimedia creator driven by a deep love for visual storytelling. Working across photography, film and design, she explores themes of identity, history, and self-expression. Her projects are often rooted in personal experience with inspiration drawn from her own family history to create immersive, emotionally honest work.

In fashion, Martinaityte gravitates toward unisex styling and design, using clothing as a way to question norms and shift conversations within the industry. She’s intentional with every look — whether styling someone else or creating pieces herself — always thinking about what the clothes are saying and who they’re speaking for. Martinaityte's goal is to open up space for more authentic, inclusive expression.

Beyond aesthetics, Martinaityte’s work often focuses on social issues, including projects that explore feminism and gender equality. She’s passionate about helping tell the stories of people who want to be heard but often aren’t using her creative practice to amplify voices, challenge narratives, and connect with others on a deeper level.

With a multidisciplinary approach, Martinaityte blends fashion and media to push boundaries, spark conversation, and invite people into stories that matter.

Skin first, Second voice – This photograph uses the power of motion to explore the emotional complexity and strength of women. Captured with a low shutter speed, the image blurs the boundary between movement and stillness, reflecting the inner world of women who navigate pressure, resilience, and selfhood all at once. The subject appears both in motion and grounded — a visual metaphor for the balance between chaos and control, vulnerability and strength.

First Skin, Second Voice

Whatever Fits – This photo shows a young boy dressed in unisex clothing, styled in a way that plays with and pushes the edges of gender expectations. I wanted to keep it simple but intentional — mixing pieces that aren’t labeled “boy” or “girl”, just clothes that felt right together. The idea was to show how something as everyday as getting dressed can be a form of quiet expression and even resistance.